“TESTIMONY OF PATRICK A. TRUEMAN” published by Congressional Record on April 15, 1997

“TESTIMONY OF PATRICK A. TRUEMAN” published by Congressional Record on April 15, 1997

Volume 143, No. 44 covering the 1st Session of the 105th Congress (1997 - 1998) was published by the Congressional Record.

The Congressional Record is a unique source of public documentation. It started in 1873, documenting nearly all the major and minor policies being discussed and debated.

“TESTIMONY OF PATRICK A. TRUEMAN” mentioning the U.S. Dept. of Justice was published in the Extensions of Remarks section on pages E667 on April 15, 1997.

The publication is reproduced in full below:

TESTIMONY OF PATRICK A. TRUEMAN

______

HON. JOHN T. DOOLITTLE

of california

in the house of representatives

Tuesday, April 15, 1997

Mr. DOOLITTLE. Mr. Speaker, I commend to the attention of my colleagues the testimony of Patrick Trueman, president of the American Family Association, who appeared before the Interior Appropriations Subcommittee concerning funding for the National Endowment for the Arts. Mr. Trueman makes a compelling case for eliminating the NEA, claiming the agency poses serious problems in the prosecution of child pornography cases.

American Family Association

Pursuant to clause 2(g)(4) of the rule XI of the Rules of the House of Representatives, I certify that neither the American Family Association nor I have received any federal grant or contract during the current fiscal year or either of the two previous fiscal years.

Mr. Chairman and Members of the Committee: I want to thank you for the opportunity to appear before you today on behalf of American Family Association. As you are aware, for the past eight years AFA has been the leading organization opposing federal funding for the National Endowment for the Arts. In 1989, AFA president Rev. Donald Wildmon called to national attention the funding by the NEA of Andres Serrano's work ``Piss Christ'' which consisted of a crucifix submersed in the artists' urine. The fact that such a blasphemous work was federally funded outraged a great segment of American society and precipitated a battle to end federal funding of the agency. That battle will not end until funding for the NEA ends, rest assured of that fact.

The federal government should not be in the business of dictating what art is. That is not a proper function for the government and, in the case of the NEA, such a function poses a potential conflict with the federal criminal law. Year after year NEA grants make possible the production and distribution of a variety of sexually explicit material. During the last part of the Reagan Administration and during the entire Bush Administration I served in the United States Department of Justice, Criminal Division, Washington D.C. as Chief of the Child Exploitation and Obscenity Section. That office is charged with the prosecution of obscenity and child pornography crimes. Part of my job, as supervisor of the office was to review and make prosecutorial decisions on both adult and child pornography. Much of what we prosecuted in those two presidential administrations involved material of the same nature as that funded through the years by the NEA. Mr. Chairman, how can you expect common citizens to respect the rule of law, particularly the federal criminal law on child pornography and obscenity when Congress continues to fund the NEA knowing the agency has a pattern of conduct over the years and to the present day of funding material which may offend the criminal law. To continue to do so would be the height of hypocrisy.

I submit that the NEA poses a direct threat to the prosecution, on both the federal and state levels, of obscenity and child pornography crimes. In obscenity cases a jury is required to make a determination that the material is ``obscene'' based on the three-part test established in the U.S. Supreme Court case of Miller v. California, 413 U.S. 15 (1973): whether the material (1.) depicts specific sex acts in a patently offensive way;

(2.) appeals to the prurient interest in sex as a whole; and (3.) lacks serious literacy, artistic, political or scientific value. (emphasis added) It would be a relevant defense argument that material similar to that charged in a particular prosecution if funded by the NEA as ``art.'' Indeed it may be appropriate, on motion from the defense, for a judge to allow a jury to view a specific NEA-funded work that is similar to the work charged as obscene in the case to aid the jury in the application of the Miller test. Surely you can understand the dilemma this would pose to a jury which must make a unanimous finding on the obscenity or non obscenity of the material. Just one juror trusting the federal governments' opinion on the nature of such material would cause the acquittal of a hardcore pornographer.

The problems the NEA could pose in the prosecution in a child pornography case are somewhat different. The Miller test does not apply and thus a jury is not asked to decide whether the material is lacking in artist value. However, the imprimatur of the NEA on such material or similar material may play a deciding factor in prosecutorial discretion, i.e. whether a case should be prosecuted or not.

Should a case be charged against a particular NEA grantee for a work considered by a prosecutor to be child pornography

(not an unlikely scenario given the history of the agency) the dilemma is more direct however. It would be difficult if not impossible to keep from a jury a defense argument that the material charged is not child pornography at all but rather ``art'' because the NEA has provided funding for its production or distribution.

The threat that the NEA poses in the prosecution on obscenity and child pornography cases is not merely hypothetical. The difficulties I have outlined in this regard were faced by the U.S. Department of Justice during my years in the criminal division with respect to the funding by the NEA of an exhibit by the late Robert Mapplethorpe.

The American Family Association is convinced after years of monitoring the NEA that the agency will never change. While it is only a small portion of its annual budget the NEA continues to fund pornographic works as ``art.'' Some of the more recent and troubling works funded by the agency include grants to a group called FC2 and another called Women Make Movies, Inc. FC2 was provided $25,000 in the past year to support the publication of at least four books according to U.S. Representative Peter Hoekstra who has been tracking the NEA: S&M, by Jeffrey DeShell, Blood of Mugwump: A Tiresian Tale of Incest, by Doug Rice, Chick-Lit 2: No Chick Vics, edited by Cris Maza, Jeffrey Deshell and Elisabeth Sheffield and Mexico Trilogy, by D.N. Stuefloten. These books include descriptions of body mutilation, sadomasochistic sexual act, child sexual acts, sex between a nun and several priests, sodomy, incest, hetero and homosexual sex and numerous other graphically described sexual activities.

Women Making Movies, Inc. received $112,700 in taxpayer money over the past three years for the production and distribution of several pornographic videos. Here are descriptions of but two taken from the groups catalog: ``Ten Cents a Dance'' a depiction of anonymous bathroom sex between two men; and another called ``Sex Fish'' which is ``a furious montage of oral sex.''

Oral sex is not art and the NEA and Congress should not pretend that it is. Please stop offending the taxpayers of America. Funding for the NEA should be eliminated.

____________________

SOURCE: Congressional Record Vol. 143, No. 44

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